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• Guitar amplifier direct box with reactive load
• Speaker cabinet emulation for natural tone
• Direct feed to console eliminates need for a mic
• Ideal for recording and live performance
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North American Version, 120 VAC
Our Price: $199.99
MSRP: $220.00
- THE JDX
IS NOT A LOAD BOX
A speaker or equivalent load must be connected to the JDX at all
times during use. |
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Guitar Amp Direct Box
Great tool for guitar and bass, live or studio. Combine with the
Phazer for phenomenally fat and rich tone.
The Radial JDX Reactor is a direct box designed to capture
the explosive dynamics and warm tone of the electric guitar by connecting
between the head and cabinet of a guitar amplifier to provide a direct
feed to the PA or recording system.
100% discrete class-A circuitry, multi-stage filtering
and a unique 'reactive' load all interact with the signal coming from
the head and the electro-magnetic 'back' impulse from the cabinet to produce
a more realistic rendering.
In use, the JDX improves on the consistency of the guitar
signal over a typical microphone, as irregularities of mic placement and
varying acoustics no longer play the dominant role on stage. When combined
with a microphone, fatter tones can be created by double tracking and
stereo imaging the two signals for more ‘produced’ results.
The JDX Reactor… another Power Tool from the creative
minds at Radial.
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The Radial JDX connects between the head and cabinet with a balanced
feed going to the PA. This set up eliminates the use of a microphone
on stage, reducing clutter while providing the mixing engineer with
a consistent tone independent of room acoustics, mic placement or bleed
from other sound sources.
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The JDX is connected as described above but a microphone is added for
a second channel. The two sounds are then mixed together or spread ‘stereo’
to create a fatter tone. This setup is often used in the studio to create
‘produced’ tones.
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The magic of the JDX is fully revealed when combining the JDX’s
direct feed with a microphone while incorporating the Radial Phazer to
phase-align the two signals. This combination let’s you dial-in
the ‘sweet spot’ to produce fat rich guitar tones quickly.
This is of particular advantage to touring bands that must set up quickly
between gigs as they travel from one venue to another.
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No. The JDX is designed to capture the powerful signal coming from the
head and the back EMF from the speaker and tap off what it needs before
being re-amplified and sent to the sound system. This has no affect on
the amp load.
Yes – absolutely. It will produce the character of tone you would
expect from 12” drivers which can prove to be quite good. Keep in
mind many bass amps use 10” drivers such as the venerable Ampeg
SVT.
Not alone. You must use some sort of load box to absorb the energy coming
from the head. Without a load of some sort, the JDX would overheat and
explode and make a mess and because this would void your warranty, you
will be upset for days!
Some load boxes are better than others, but so far, we have never tried
one that sounds as good as a speaker cabinet. Load boxes simply take the
energy from the amp and convert it to heat. This is not the same as driving
a speaker.
No. It is designed specifically to handle high output levels from guitar
amplifiers. Plugging a guitar directly into the JDX will not produce sufficient
signal to drive the JDX.
Yes! This ‘trick’ can lead to creative new tones where you
are essentially using one amp like a distortion pedal before the signal
is amplified by the second amp. You will need an XLR to ¼”
cable wired like this: XLR pin-1 and pin-3 to ¼” ground (shield),
XLR pin-2 to ¼” tip.
No. The JDX simulates the sound of your amp and speaker and will generate
a close facsimile. But don’t be fooled. Nothing will ever completely
replace the sweet sound of a vintage Delux or the spatial feel of a JCM800
half stack turned to 11.
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