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"... Loopbone offers a logical, easy to use way to manage all of
your pedal board effects!"
Master control for pedal boards
Insert & combine two separate effects loops
Built-in variable gain power booster
Unique Drag™ control pickup load correction
Separate tuner output is always on
SlingShot™ remote control output
100% discreet class-A circuit design
Ultra-compact design – easy to use |
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Retail: $300.00, Our Price: $229.99
North American Version, 120 VAC
For other versions, see "Power Supplies" here
Notice for orders shipping to the EU:
This item can not be shipped into the European Union at this time due
to WEEE / RoHS (environmental / hazardous materials) regulations.
This unit will be compliant in the near future, possibly by early 2007.
The Radial Loopbone is a powerful effects loop controller for pedal boards
that allows the guitar player to insert two separate pedal effects chains
and remove them when not in use. This is particularly advantageous when
using older pedals that tend to add noise and cause loading problems in
the signal chain. The Loopbone incorporates a superb 'post effects' variable
gain power booster that allows for straight signal boosting or post loop-1
or loop-2 boost for soloing.
To ensure the natural tone of the instrument is maintained, the Loopbone
features Radial's unique Drag Control™ pickup load correction circuit
that allows the guitarist to properly match the impedance load of any
pedal board configuration with any guitar for optimum performance. Furthermore,
there are no signal degrading op-amps or chips in the signal path, only
100% discreet components and Radial’s highly acclaimed Class-A circuit
for natural tone and exceptional dynamics.
Besides FX-loop switching, load matching and signal boost, the Loopbone
brings even more to your pedal board: a separate 'always-on' tuner out
circuit allows on-the-fly tuning without adding noise or load to your
instrument signal, and perhaps the most innovative feature of all, Slingshot™.
Slingshot is Radial's unique remote switching system that allows the Loopbone
to simultaneously switch amplifier channels or other amp features or even
another Slingshot equipped device, such as the Radial Headbone
head switcher or Radial Cabbone
speaker cabinet switcher. More details on the Slingshot will follow.
Designed as a ‘master control’ for the pedal board, the Loopbone
is compact, easy to use and adds tremendous control over the pedal board
making it a ‘must have’ for tone aficionados. |
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For over 50 years, guitarists have been trying achieve a balance between
the flexibility of having multiple presets and dialing in the perfect
tone for a particular song. This has lead hi-tech companies to develop
some pretty nifty devices such as modeling and digital effects pedals.
These technologies although wondrous, always seem to fall short for the
purist and seem to somehow disconnect the player from his instrument.
The end result is that serious guitar players inevitably yield to the
allure of the venerable tube amplifier.
The holy grail of tube amps is in itself a misleading notion. As any player
will attest, the closer you can get to connecting the guitar to the purity
of a simple tube amp, the better the feel and the more inviting the tone.
But without flexibility on stage, how can you get the job done?
For world-class concert level performers, the only solution has been an
investment in expensive custom-made pedal board controllers. These allow
a series of preset effect loops to be engaged using a combination pedal
board and rack controller along with the prerequisite full-time guitar
tech. But even at this level there are shortcomings – the more complex
the system becomes, the greater the chance of it becoming a technical
nightmare. The demand for smaller, more flexible systems forces engineers
to use chips and op-amps which result in less than ideal tone. The fix
becomes the problem and you end up chasing a point of diminishing returns.
This of course leads us to ask a few simple questions: What is it that
guitarists really need? How many different tones are required to perform
on stage? If the tones sway too far and wide, will the guitarist’s
personality get lost? How much noise is acceptable? Where should there
be compromise?
Back in 1979, we invented the world’s first 3-channel tube amplifier.
It solved a problem. It provided the guitarist with a clean tone, a crunchy
rhythm channel and a solo channel. Fast-forward 25 years and for the most
part, this is still the most basic yet useful set-up. The Radial Loopbone
goes back to our roots and brings forth a design that truly accomplishes
what it was set out to do – provide a simple tool that allows the
guitarist to achieve flexibility without compromising tone.
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Consider the most basic guitar set-up: A guitar, a good distortion pedal
and guitar amplifier will give you a clean tone, an overdrive and with
a second channel, you can likely get a pretty good solo tone.
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The natural tone and relationship between
the pickup and the amplifier is lost – all kinds of noise creeps
into your signal path, the guitar level changes and for a fleeting moment
those ‘do-it-all-pre-packaged modeling-systems' that just sound
'good to average' become very appealing. Then you give your head a shake
and ask yourself "..is there not a better way"?
The Loopbone Solution
Yes Grasshopper… there is a better way, and that way is Loopbone.
Loopbone solves all the above problems by introducing a master control
interface that provides alternate signal paths for your “love-‘em
and hate-‘em” effect pedals and adds what has been called
'the very finest power booster on the planet' to boot. This clever bit
of design accomplishes the prerequisite ‘clean-rhythm-solo’
setup multiplied by two. Check it out:

With the Loopbone, your original guitar-to-distortion-to-amp
set-up is suddenly transformed into a powerful tone control center. Effortlessly
add 4 more tonal variations by simply clicking in the versatile variable-gain
Class-A power boost. Add effect loops and you can create two completely
different signal paths: with one dedicated to the ultimate solo patch
for example, the other to weird effects. Best of all, when they're not
needed, you can remove the noisy pedals from your signal chain with the
click of a footwitch. Lovely!
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| Tone |
Classic |
Loop-1 |
Loop-2 |
Boost |
| 1. Clean rhythm |
off |
off |
off |
off |
| 2. Clean solo |
off |
off |
off |
on |
| 3. Crunch rhythm |
on |
off |
off |
off |
| 4. Distortion solo 1 |
on |
off |
off |
on |
| 5. EFX loop rhythm 1 |
off |
on |
off |
off |
| 6. EFX loop 1 solo |
off |
on |
off |
on |
| 7. EFX loop 2 rhythm |
off |
off |
on |
off |
| 8. EFX loop 2 solo |
off |
off |
on |
on |
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The Loopbone is small! It fits in nicely right on your
pedal board along with all of your effects. Did we mention how you can
turn on and off various pedals to get set for a particular musical passage
without actually hearing them until the loop is engaged? Now that’s
foot power!
If the Loopbone is truly going to be the center of the pedal board, it
should be able to control other aspects of your guitar system. This triggered
the concept of MIDI control without actually having to resort to taking
a university course on programming. We call it Slingshot™.
Slingshot is a remote control that employs the same basic functionality
of the time-tested channel switching found on most guitar amplifiers.
On the Loopbone, you can assign the Slingshot remote to any of the two
effects loops or the power booster and when depressed, can cause a remote
device to change status. You could for instance have your amp channel
change when effects loop-1 is engaged. If you have a Radial Headbone,
you could switch amp heads or with Cabbone, you could switch speaker cabinets
and go from a 2-12 open back to a 4-12 half-stack.

Loopbone is truly a marvel that opens the door to tonal flexibility without
introducing noise or altering the natural tone and dynamics of your instrument. |
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